Tag Archives: Robert Macfarlane

The forgotten path

‘Humans are animals and like all animals we leave tracks as we walk, signs of passage.’

I’ve just finished reading Robert MacFarlane’s The Old Ways, a beautiful book, almost a meditation, on the ancient paths – tracks, drove roads and ways – that criss-cross the British landscape. He talks about paths not just as connecters of places, but as keepers of the past, as rights of way – ‘a slender network of common land that threads through our privatised world’ – and as acts of consensual making.  He also describes how they offer a way of feeling, being and knowing; they lead backward in history and inwards to the self.

The old path, overgrown but I can see it clearly in mind’s eye.

It made me think about a path that starts at the end of my lane. We walked it daily when we were young. It cut a safe passage through the hinterland that lay between our row of cottages and the other side. I remember the shade and the mulch and the way it wound its way through a maze of scrubby gorse where sheep hid in thorny hollows. The path, once the main route into Portavadie, fell into disuse a few years back when a better way, a shorter cut, came with the marina development. Everyone followed it instead. How easily, I realised, we’ve let this right of way, this passage of history that holds the tracks of generations, slip from use, sight and mind.

So I went to have a look. I stood at the gate that appeared to lead to nowhere. Grasses shimmered silver, copper and purple. Spiky reeds pushed through the mint-green moss. Small white flowers laced the ground. Rhododendrons, exotic beasts, loomed large and shiny. Everything was oversized, pumped up with all the rain. And the place hummed with beasties. Flies buzzed overhead, hazy and lazy in the afternoon sunshine. Bees disappeared up the big pink foxglove bells. Butterflies rested on bristling purple thistles, then rose, like scraps of tissue, whirling up and off into the sky.

Overgrown path

Without common use and care paths soon disapear.

I pushed my way through the undergrowth, forging a path where I remembered the path to be. The further I walked the more impenetrable it became and about half way through nature began to close in around me. I was hot and itchy and this place – part bog, part scrub, part wood – without its path was unwelcoming, uncivilised, unknown.  I imagined ticks and adders lurking. Then I hit a wall – higher than me – of bracken, furling and fierce. As I stood facing it, something barked from the undergrowth – a low, raspy, rough sound. It barked again, nearer and more insistent. I heard a sharp cry from a circling bird of prey. I felt a nip on my arm and looked down to see a cleg squatting, flat and dark, sucking.

Just a few hundred metres from the road I’d passed into a different world. It filled me with unease, pitched sharp and strange. The bark was surely a deer, yet in this landscape my mind raced, my hairs rose. Suddenly I wanted to get out. I understood what MacFarlane meant when he said that we are scattered, as well as affirmed, by the places through which we move; when he asked: ‘What does this place know of me that I cannot know of myself?’

I passed the gate to the path today. I looked down through the trees and the grass and the ferns, remembering the wild world in there. I thought about retracing my steps, about making tracks and bringing the old path back to life. But I decided to leave it as it is, bound and swathed, but not erased, by vegetation, by the tangle of trees and time. I know it’s there. It carves it ways through my mind and memory and perhaps that is enough.



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Into the woods and off the map

Dappled wood at Glenan

Sunlight dapples the wood on the way round to Glenan Bay

Most evenings I take a walk through an ancient oak wood that hugs the shoreline along to Glenan Bay. When you scramble up the rocks from the beach into the trees you enter a slightly darkened world; a hushed one. Stop and listen, though, and you hear it. The leaves whisper to one another and the boughs gasp and groan. The undergrowth chatters. Wasps buzz like zippers and flies hum as they dance slow, sleepy waltzes. The smell is as mulchy and fragrant as a botanical garden, heavy with myrtle and bracken. You can’t avoid the boggy patches that, even in the driest of summers, suck at your boots then release you with a satisfying squelch and a niff of compost.

Icelanders talk about seeing little people in their landscape and you can imagine this here among the twisting roots, the lichen-splashed stumps and the boulders that sit, draped in mossy blankets, where the glaciers dumped them that incomprehensible time ago. The oaks have giant girths and gnarled branches. They create a dense canopy, but the evening light seeks out the gaps and dapples the ferny floor.

The path through this wood isn’t on the map. Nor are those places along the way that mean so much to me, like the long, low bough – as strong and supple as a limb – that we’d swing on as kids and the halfway burn with its clear, cool water. In The Wild Places, Robert Macfarlane writes about  people being deepened and dignified by their encounters with particular wild places; not the soaring mountains and vast moors that we associate with wilderness, but rather the small, nameless places, like the halfway burn, that become special to us by acquaintance. He quotes Ishmael in Moby Dick: ‘It is not down on the map; true places never are.’

Vegetable plot

Check out the monster tatties!

My vegetable patch is coming along a treat, and I’ve harvested my first crop: the trusty radish. I should be able to pick some gooseberries soon too – stewed in a little cider, pulped through a sieve and mixed with fennel, honey and mustard, they’ll make a tasty sauce to go with my freshly caught and grilled mackerel. The French and runner beans aren’t doing so well. They took a battering in last month’s gales and haven’t recovered. But – very excitingly – I’ve got a plot in the local community polytunnel where I’ll be able to grow some of the less hardy crops and, fingers crossed, meet some nice hippies.


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